Surt, a norse inspired typeface

  • Font

    Surt

  • Styles

    • Light
      Light Oblique
      Regular
      Regular Oblique
      Medium
      Medium Oblique

    • Demi Bold
      Demi Bold Oblique
      Semi Bold
      Semi Bold Oblique
      Bold
      Bold Oblique

    • Ultra Bold
      Ultra Bold Oblique
      Extra Bold
      Extra Bold Oblique
      Black
      Black Oblique

  • Font sampler

    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.
    Surt, the devil giant, the swarthy jötunn.

  • Font info

    Surt, a Norse sans typeface.
    Surt, the devil giant, the swarthy jötunn. The destroyer of worlds, he whose flames will engulf the Earth—the leader of Múspell’s sons, riding to ragnarök.
    This typeface family, inspired by Norse mythology and Scandiavian Architecture, draws a bridge between a geometric sans and a human process in the whole shape design. 
    As such, each glyph has been designed based on a similar structure. Circles, ovals, rectangles and squares compose the basic ground on which the font is built. Yet, you can feel there’s a “pinch” in the counterforms’ drawing, offering a less digitized design. It is especially distinguishable in the digits’ drawings. The character set will allow text layouts to have this unusual corkiness which make it so perticular and so comfortable to read. The rounded glyphs’ width are shaped in such a way that they operate a discrete rupture in the text rythmin.
    It comes with four styles (Condensed, Normal, Expanded, Extended), only the Normal version is available for now, with a large number of different weights and Obliques for a total of 66 different fonts. The Condensed, Expanded and Extended fonts of this family are available on request. The family contains many variations on a few selected characters (I J K M Q R U X a d i j k l n q r & t u y 0 1 2 3 4 5 6 7 8 9 : , … ! ¡ . ? ¿ ;) and both squared/circled punctuation. A Light/Oblique version was designed especially for the standard width version, allowing an even greater range of usefulness.
    This complex and quite large character set offers a great range of possibilities for a wide range of utilities. The Black weight has been designed to be as dark as possible while maintaining enough light for decent reading. However, we would still recommand you not to use it in small sizes: it will show its true usefulness when displayed in headlines and large text displays.
    This very straight forward approach to a geometric design displays a powerful link to the Scandinavian inspiration giving this unusual tool a wide panel of usage; from text layout to brand identity, signage system, websites, etc.

    Surt is riding to Valhalla

  • Details

    Designed by Matthieu Salvaggio
    Released in 2017
    Available in 18 weights
    Available in .OTF, .EOT, .WOFF, .WOFF2
    Developed for Latin European Languages

  • Character Set

    • Uppercase

    • Æ A B C D E F G H I J K L M N O Œ P Q R S T U V W X Y Z

    • Uppercase Style 1

    • I J K M Q R T U X

    • Uppercase Accented Glyphs

    • À Ă Ã Ā Ä Ą Á Â Å Æ Ǽ Ċ Ç Ć Č Ď Ð È Ē Ė Ë Ę É Ê Ě Ğ Ġ Ģ Ħ Ì Ī İ Ï Į Í Î I Ì Ī İ Ï Į Í Î Ķ Ļ Ĺ Ľ Ł Ñ Ņ Ń Ň Ŋ Ò Õ Ō Ö Ő Ó Ø Ô Œ Ŗ Ŕ Ř Ş Ș Ś Š Ţ Ť Ŧ Ù Ū Ü Ų Ű Ú Û Ů Ẁ Ẅ Ẃ Ŵ Ỳ Ÿ Ý Ŷ Ż Ź Ž

    • Lowercase

    • a b c d e f g h i j k l m n o p q r s t u v w x y z

    • Lowercase Style 1

    • a d i j k l n q r t u y

    • Lowercase Accented Glyphs

    • à ă ã ā ä ą á â å æ ċ ç ć č ď ð è ē ė ë ę é ê ě s ğ ġ ģ ħ ì ī ı i ï į í î i j ķ ļ ĺ ľ ł ñ ņ ń ň ŋ ò õ ō ö ő ó ø ô œ ŗ ŕ ř ş ș ś š ţ ť ŧ ù ū ü ų ű ú û ů ẁ ẅ ẃ ŵ ỳ ÿ ý ŷ ż ź ž

    • Figures

    • 0 1 2 3 4 5 6 7 8 9

    • Figures Style 1

    • 0 1 2 3 4 5 6 7 8 9

    • Old Style Figures

    • 0 1 2 3 4 5 6 7 8 9

    • Punctuation

    • ! ¡ ? ¿ « » ‹ › . , : ; ‘ ’ ‚ “ ” „ … | ¦ – – — _ \ / ( ) [ ] { } · • * # % ‰ © ® ™ ¶ @ & † ‡ l °

    • Punctuation Style 1

    • ! ¡ ? ¿ . , : ; 

    • Mathematical Signs

    • + < = > | ~ ¬ ± × ÷ ⁄ ∅ − ≈ ≠ ≤ ≥ € £ $ ¢ ¥

    • Fractions

    • ¼ ½ ¾ ⅛ ⅜ ⅝ ⅞

    • Arrows

    • ↑ → ↓ ← ↔

  • Font in use

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    • Le Fil, identity designed by Camille Boileau, pictures by Marc Laurent

    • Le Fil, identity designed by Camille Boileau, pictures by Marc Laurent

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    • Papillon’s identity designed by Studio des formes (http://studiodesformes.net)

    • Papillon’s identity designed by Studio des formes (http://studiodesformes.net)

    • Papillon’s identity designed by Studio des formes (http://studiodesformes.net)

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