Sigurd

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Sigurd

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The Knight Typeface

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Sigurd:n3

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Small capitals from capitals Swashes Discretionary Ligatures Standard ligatures Elegant Alternates Sharp Alternates Calligraphic Alternates Calligraphic Alternates 2 Contrasted Calligraphic Alternates Alternate R Circled Numbers Black Circled Numbers Square Numbers Black Square Numbers Lozenge Numbers Black Lozenge Numbers

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“How do you feel now?” asked Mimer in a half-mocking tone.

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“Shake thyself!” cried Mimer.

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Oftentimes, when the day’s work was done, Siegfried sat with Mimer by the glowing light of the furnace-fire, and listened to the sweet tales which the master told of the deeds of the early days, when the world was young, and the dwarf-folk and the giants had a name and a place upon earth. And one night, as they thus sat, the master talked of Odin the All-Father, and of the gods who dwell with him in Asgard, and of the puny men-folk whom they protect and befriend, until his words grew full of bitterness, and his soul of a fierce longing for something he dared not name. And the lad’s heart was stirred with a strange uneasiness, and he said,—

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Then the smith seemed pleased again. And his eyes grew brighter, and lost their far-away look; and a smile played among the wrinkles of his swarthy face, as he told a tale of old King Volsung and of the deeds of the Volsung kings:—

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“Ready,” answered Amilias. “Strike!”

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“Rather strangely, as if cold iron had touched me,” faintly answered the upstart.

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The master, Mimer, sheathed his sword, and walked slowly down the hillside to the plain, where his friends welcomed him with glad cheers and shouts of joy. But the Burgundians, baffled, and feeling vexed, turned silently homeward, nor cast a single look back to the scene of their disappointment and their ill-fated champion’s defeat.

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“Long years ago, before the evil days had dawned, King Volsung ruled over all the land which lies between the sea and the country of the Goths. The days were golden; and the good Frey dropped peace and plenty everywhere, and men went in and out and feared no wrong. King Volsung had a dwelling in the midst of fertile fields and fruitful gardens. Fairer than any dream was that dwelling. The roof was thatched with gold, and red turrets and towers rose above. The great feast-hall was long and high, and its walls were hung with sun-bright shields; and the door-nails were of silver. In the middle of the hall stood the pride of the Volsungs,—a tree whose blossoms filled the air with fragrance, and whose green branches, thrusting themselves through the ceiling, covered the roof with fair foliage. It was Odin’s tree, and King Volsung had planted it there with his own hands.

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“How do you feel now?” asked Mimer in a half-mocking tone.

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Default figures Lining Figures Tabular Lining Figures Tabular Oldstyle Figures Oldstyle Figures

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“Tell me, I pray, dear master, something about my own kin, my father’s fathers,—those mighty kings, who, I have heard said, were the bravest and best of men.”

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“Are you ready?” asked the smith.

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When every thing was in readiness for the contest, Amilias, clad in his boasted war-coat, went up to the top of the hill, and sat upon a great rock, and waited for Mimer’s coming. As he sat there, he looked, to the people below, like some great castle-tower; for he was almost a giant in size, and his coat of mail, so skilfully wrought, was so huge that twenty men of common mould might have found shelter, or hidden themselves, within it. As the smith Mimer, so dwarfish in stature, toiled up the steep hillside, Amilias smiled to see him; for he felt no fear of the slender, gleaming blade that was to try the metal of his war-coat. And already a shout of expectant triumph went up from the throats of the Burgundian hosts, so sure were they of their champion’s success.

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Sigurd is a font family inspired by the hero of the Nibelungen Saga, Siegfried. Sigurd is a font family gathering its inspiration in the shape of swords, feudal armours and medieval lettering work. It's an elegant typeface family with a strong design construction and tons of alternate characters and various swashes. Allowing a wide variety of uses in text layouts for display uses.

Designed by: Matthieu Salvaggio, Léon Hugues

Released in: 2021

Export: .OTF .WOFF .WOFF2 .TTF (Variable)

Developed for: Latin European Languages

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