- Thin Italic
- ExtraLight Italic
- Light Italic
- Regular Italic
- Medium Italic
- Bold Italic
- Black Italic
Digital Sans is a timeless geometric sans inspired by the visionary work of Paul Renner, Futura. This flexible font family comes with 7 different weights and matching italics. From Thin to Heavy, designed to support a wide range of potential use from body text to headlines and/or logotype. Designed as a bridge between the 20's and today, Digital Sans is deeply rooted in the geometric style, yet it is not a mere contemporary interpretation of this classic of typeface history. This font family questions geometric systems to define its own language. It comes with a whole different set of alternate glyphs to make Digital Sans a playful and flexible tool. It can switch from a neutral default set with diagonal cuts to another with vertical cuts and sharp angles. Certains letters also come with constructed alternates to give a singular look to any text layout. Digital Sans is very flexible and can be modulated to have different voices and infuse different mood in your designs. It will do wanders in any heavy type uses on screens and printed mediums alike.
The shapes and forms of this geometric typeface make it an ideal choice for contemporary design projects. It has a boldness and simplicity that is timeless, making it a favorite for designers for decades. It is a great choice for a variety of design applications, from logos and branding to headlines and body text in print or digital formats. Geometric fonts, also known as modern fonts, have been around since the early 20th century and have been used to create many iconic logos, advertisements, and designs. In recent years, geometric fonts have been making a major comeback, appearing in more and more designs.
Geometric fonts are distinct in that they feature shapes and lines that are geometric in nature, often with a modern, minimalistic aesthetic.
Geometric fonts are a great choice for many designs. They are highly recognisable and can stand out from other font styles. They are also easy to read, making them perfect for readable text. Geometric fonts also have a strong visual impact, often creating an eye-catching effect. Additionally, geometric fonts can be used to create a sense of modernity and sophistication, perfect for branding or marketing materials.
When it comes to selecting a geometric font, there are a variety of options to choose from. Some geometric fonts are more traditional and feature lines and curves that are based on traditional typefaces. Others are more abstract, featuring different shapes and angles. Many geometric fonts come in both serif and sans serif styles, allowing designers to create a unique look.
Geometric fonts are a popular choice in the contemporary graphic design field, with their clean, simple shapes and modern aesthetic. These fonts are often sans-serif, meaning they do not have the decorative flourishes known as serifs that are found on many traditional fonts. This simplicity makes them highly legible and versatile, making them suitable for a wide range of design projects.
One of the key benefits of geometric fonts is that they can help to create a sense of order and structure in a design. The geometric shapes used in these fonts are often based on simple, mathematical principles, which can give a design a sense of logical, organized structure. This can be especially useful in design projects where clear, concise communication is important, such as in business or technical documents.
Geometric fonts are also highly adaptable and can be used in a variety of design styles. They can be combined with other fonts to create a more diverse and interesting design, or they can be used on their own to create a bold, modern statement. They can also be modified and customized to create unique, one-of-a-kind fonts that are tailored to a specific design project.
Overall, geometric fonts are a popular and versatile choice in the contemporary graphic design field. Their clean, simple shapes and logical structure make them highly legible and adaptable, making them suitable for a wide range of design projects.
- Designed by
- Tim Vanhille, Matthieu Salvaggio
- Released in
- Sans, Upright, Italic, Geometric, Modern, Contemporary
- .OTF .WOFF .WOFF2 .TTF (Variable)
- Developed for
- Latin European Languages
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Sicilian, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolof, Xhosa, Zulu