Intermedial Slab
Details
Intermedial Slab is a highly versatile and robust type family that offers both high-contrast and low-contrast slab serif styles, catering to a wide range of design needs. Each style is meticulously crafted with a humanistic touch, bringing warmth, precision, and an approachable quality to the typeface. The humanistic design approach ensures that each character feels balanced and natural, enhancing readability while maintaining a distinctive aesthetic.
This versatility in contrast allows Intermedial Slab to perform excellently across various design applications. The high-contrast styles are ideal for creating dramatic, eye-catching headlines, while the low-contrast options are optimized for body text, providing clarity and comfort for longer reading. By mixing and matching these contrast levels, designers can establish a dynamic typographic hierarchy that guides the reader’s eye and enriches the overall design.
The adaptability of Intermedial Slab makes it a powerful asset for creating cohesive and flexible frameworks within any design system. Whether for branding, editorial layouts, user interfaces, or print materials, this type family’s range of styles allows for seamless integration across platforms. Designers can leverage its flexibility to craft visually engaging, responsive typographic solutions, making Intermedial Slab an essential tool for building unified, adaptive, and highly effective design systems.
- Designed by
- Karol Mularczyk
- Released in
- 2024
- Export
- .OTF .WOFF .WOFF2 .TTF (Variable)
- Developed for
- Latin European Languages
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Sicilian, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolof, Xhosa, Zulu
Intermedial Slab
- Solid Thin
- Solid Thin Italic
- Solid Light
- Solid Light Italic
- Solid Regular
- Solid Regular Italic
- Solid Medium
- Solid Medium Italic
- Solid Semibold
- Solid Semibold Italic
- Solid Bold
- Solid Bold Italic
- Solid Black
- Solid Black Italic
- Reliable Thin
- Reliable Thin Italic
- Reliable Light
- Reliable Light Italic
- Reliable Regular
- Reliable Regular Italic
- Reliable Medium
- Reliable Medium Italic
- Reliable Semibold
- Reliable Semibold Italic
- Reliable Bold
- Reliable Bold Italic
- Reliable Black
- Reliable Black Italic
- Classic Thin
- Classic Thin Italic
- Classic Light
- Classic Light Italic
- Classic Regular
- Classic Regular Italic
- Classic Medium
- Classic Medium Italic
- Classic Semibold
- Classic Semibold Italic
- Classic Bold
- Classic Bold Italic
- Classic Black
- Classic Black Italic
- Didone Thin
- Didone Thin Italic
- Didone Light
- Didone Light Italic
- Didone Regular
- Didone Regular Italic
- Didone Medium
- Didone Medium Italic
- Didone Semibold
- Didone Semibold Italic
- Didone Bold
- Didone Bold Italic
- Didone Black
- Didone Black Italic
Highly Versatile and High Contrast
Highly Versatile and High Contrast
Highly Versatile and High Contrast
Highly Versatile and High Contrast
Intermedial Slab:n1
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And he nursed this thought, and brooded over the hatred which he felt towards the blameless boy; but he did not dare to harm him, for fear of their master, Mimer. And Siegfried busied himself at his forge, where the sparks flew as briskly and as merrily as ever before, and his bellows roared from early morning till late at evening. Nor did the foreman’s unkindness trouble him for a moment, for he knew that the master’s heart was warm towards him.
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But Mimer’s friends waited in breathless silence, hoping, and yet fearing. Only King Siegmund whispered to his queen, and said, “Knowledge is stronger than brute force. The smallest dwarf who has drunk from the well of the Knowing One may safely meet the stoutest giant in battle.”
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And Siegfried went again with the master and his fellows to the smoky smithy, to his roaring bellows and ringing anvil, and to his coarse fare, and rude, hard bed, and to a life of labor. And while all men praised Mimer and his knowing skill, and the fiery edge of the sunbeam blade, no one knew that it was the boy Siegfried who had wrought that piece of workmanship.
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And Siegfried went again with the master and his fellows to the smoky smithy, to his roaring bellows and ringing anvil, and to his coarse fare, and rude, hard bed, and to a life of labor. And while all men praised Mimer and his knowing skill, and the fiery edge of the sunbeam blade, no one knew that it was the boy Siegfried who had wrought that piece of workmanship.
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“Ready,” answered Amilias. “Strike!”
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“Tell me, I pray, dear master, something about my own kin, my father’s fathers,—those mighty kings, who, I have heard said, were the bravest and best of men.”
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Mimer raised the beaming blade in the air, and for a moment the lightning seemed to play around his head. The muscles on his short, brawny arms, stood out like great ropes; and then Balmung, descending, cleft the air from right to left. The waiting lookers-on in the plain below thought to hear the noise of clashing steel; but they listened in vain, for no sound came to their ears, save a sharp hiss like that which red-hot iron gives when plunged into a tank of cold water. The huge Amilias sat unmoved, with his arms still folded upon his breast; but the smile had faded from his face.
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And Siegfried went again with the master and his fellows to the smoky smithy, to his roaring bellows and ringing anvil, and to his coarse fare, and rude, hard bed, and to a life of labor. And while all men praised Mimer and his knowing skill, and the fiery edge of the sunbeam blade, no one knew that it was the boy Siegfried who had wrought that piece of workmanship.
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Amilias did so, and, lo! he fell in two halves; for the sword had cut sheer through the vaunted war-coat, and cleft in twain the great body incased within. Down tumbled the giant head and the still folded arms, and they rolled with thundering noise to the foot of the hill, and fell with a fearful splash into the deep waters of the river; and there, fathoms down, they may even now be seen, when the water is clear, lying like great gray rocks among the sand and gravel below. The rest of the body, with the armor which incased it, still sat upright in its place; and to this day travellers sailing down the river are shown on moonlit evenings the luckless armor of Amilias on the high hill-top. In the dim, uncertain light, one easily fancies it to be the ivy covered ruins of some old castle of feudal times.
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“How do you feel now?” asked Mimer in a half-mocking tone.
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But after a while it was whispered around that not Mimer, but one of his pupils, had forged the sword. And, when the master was asked what truth there was in this story, his eyes twinkled, and the corners of his mouth twitched strangely, and he made no answer. But Veliant, the foreman of the smithy, and the greatest of boasters said, “It was I who forged the fire-edge of the blade Balmung.” And, although none denied the truth of what he said, but few who knew what sort of a man he was believed his story. And this is the reason, my children, that, in the ancient songs and stories which tell of this wondrous sword, it is said by most that Mimer, and by a few that Veliant, forged its blade. But I prefer to believe that it was made by Siegfried, the hero who afterwards wielded it in so many adventures. [EN#3] Be this as it may, however, blind hate and jealousy were from this time uppermost in the coarse and selfish mind of Veliant; and he sought how he might drive the lad away from the smithy in disgrace. “This boy has done what no one else could do,” said he. “He may yet do greater deeds, and set himself up as the master smith of the world, and then we shall all have to humble ourselves before him as his underlings and thralls.”
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When Mimer reached the top of the hill, Amilias folded his huge arms, and smiled again; for he felt that this contest was mere play for him, and that Mimer was already as good as beaten, and his thrall. The smith paused a moment to take breath, and as he stood by the side of his foe he looked to those below like a mere black speck close beside a steel-gray castle-tower.
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The master, Mimer, sheathed his sword, and walked slowly down the hillside to the plain, where his friends welcomed him with glad cheers and shouts of joy. But the Burgundians, baffled, and feeling vexed, turned silently homeward, nor cast a single look back to the scene of their disappointment and their ill-fated champion’s defeat.
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“Shake thyself!” cried Mimer.
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“Are you ready?” asked the smith.
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The master, Mimer, sheathed his sword, and walked slowly down the hillside to the plain, where his friends welcomed him with glad cheers and shouts of joy. But the Burgundians, baffled, and feeling vexed, turned silently homeward, nor cast a single look back to the scene of their disappointment and their ill-fated champion’s defeat.
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Amilias did so, and, lo! he fell in two halves; for the sword had cut sheer through the vaunted war-coat, and cleft in twain the great body incased within. Down tumbled the giant head and the still folded arms, and they rolled with thundering noise to the foot of the hill, and fell with a fearful splash into the deep waters of the river; and there, fathoms down, they may even now be seen, when the water is clear, lying like great gray rocks among the sand and gravel below. The rest of the body, with the armor which incased it, still sat upright in its place; and to this day travellers sailing down the river are shown on moonlit evenings the luckless armor of Amilias on the high hill-top. In the dim, uncertain light, one easily fancies it to be the ivy covered ruins of some old castle of feudal times.
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Mimer raised the beaming blade in the air, and for a moment the lightning seemed to play around his head. The muscles on his short, brawny arms, stood out like great ropes; and then Balmung, descending, cleft the air from right to left. The waiting lookers-on in the plain below thought to hear the noise of clashing steel; but they listened in vain, for no sound came to their ears, save a sharp hiss like that which red-hot iron gives when plunged into a tank of cold water. The huge Amilias sat unmoved, with his arms still folded upon his breast; but the smile had faded from his face.
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And he nursed this thought, and brooded over the hatred which he felt towards the blameless boy; but he did not dare to harm him, for fear of their master, Mimer. And Siegfried busied himself at his forge, where the sparks flew as briskly and as merrily as ever before, and his bellows roared from early morning till late at evening. Nor did the foreman’s unkindness trouble him for a moment, for he knew that the master’s heart was warm towards him.
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Mimer raised the beaming blade in the air, and for a moment the lightning seemed to play around his head. The muscles on his short, brawny arms, stood out like great ropes; and then Balmung, descending, cleft the air from right to left. The waiting lookers-on in the plain below thought to hear the noise of clashing steel; but they listened in vain, for no sound came to their ears, save a sharp hiss like that which red-hot iron gives when plunged into a tank of cold water. The huge Amilias sat unmoved, with his arms still folded upon his breast; but the smile had faded from his face.
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“Tell me, I pray, dear master, something about my own kin, my father’s fathers,—those mighty kings, who, I have heard said, were the bravest and best of men.”
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Amilias did so, and, lo! he fell in two halves; for the sword had cut sheer through the vaunted war-coat, and cleft in twain the great body incased within. Down tumbled the giant head and the still folded arms, and they rolled with thundering noise to the foot of the hill, and fell with a fearful splash into the deep waters of the river; and there, fathoms down, they may even now be seen, when the water is clear, lying like great gray rocks among the sand and gravel below. The rest of the body, with the armor which incased it, still sat upright in its place; and to this day travellers sailing down the river are shown on moonlit evenings the luckless armor of Amilias on the high hill-top. In the dim, uncertain light, one easily fancies it to be the ivy covered ruins of some old castle of feudal times.
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“Tell me, I pray, dear master, something about my own kin, my father’s fathers,—those mighty kings, who, I have heard said, were the bravest and best of men.”
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Then the smith seemed pleased again. And his eyes grew brighter, and lost their far-away look; and a smile played among the wrinkles of his swarthy face, as he told a tale of old King Volsung and of the deeds of the Volsung kings:—
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