Recorder
Details
Recorder reflects an era where design, technology, and mass production began to converge — a moment at the end of the 20th century shaped by industrial graphics, mass media, and early digital culture. Its starting point was the iconic Compact Disc logo, whose strict geometry and engineered clarity defined the core logic of the design. During development, this reference expanded through industrial display fonts such as Compacta and later mechanized designs like Neographik, connecting Recorder to the tradition of late-modernist typography.
Recorder pushes geometric construction toward an almost mechanical extreme. Its letterforms are built around a deliberate contrast between inner capsule-shaped counters and outer rectangular forms with rounded corners. This interaction creates a distinct tension between softness and rigidity, precision and mass. The effect becomes especially pronounced in the italic styles, slanted at 15°, where inner shapes largely preserve their geometry, appearing rotated rather than skewed — reinforcing the non-calligraphic nature of the design.
Despite its apparent strictness, Recorder avoids simplification. Non-obvious letter constructions, and deliberate differences between uppercase and lowercase forms add depth and character. Rounded transitions on sharp angles reference chamfered lettering found on industrial objects such as stamped metal or vehicle license plates, introducing a tactile quality beneath the geometric surface.
The family consists of 4 subfamilies — Basic, Capsule, Outline, and Mixed. Basic forms the structural backbone with adjustable weight and bidirectional slant. Capsule features oversized capsule-shaped ink traps inspired by printed circuit boards and electronic components. Outline directly echoes the visual language of the Compact Disc logo. Mixed uses contextual alternates to pseudo-randomly blend Basic and Capsule forms, adding controlled variation.
- Designed by
- Maksym Kobuzan
- Released in
- 2026
- Export
- .OTF .WOFF .WOFF2 .TTF (Variable)
- Developed for
- Latin European Languages
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Sicilian, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolof, Xhosa, Zulu
Recorder Basic Variable
- Regular Backslanted
- Regular
- Regular Slanted
- Medium Backslanted
- Medium
- Medium Slanted
- Semibold Backslanted
- Semibold
- Semibold Slanted
- Bold Backslanted
- Bold
- Bold Slanted
- Extrabold Backslanted
- Extrabold
- Extrabold Slanted
- Black Backslanted
- Black
- Black Slanted
- Black Backslanted
- Black
- Black Slanted
- Black Backslanted
- Black
- Black Slanted
- Black Backslanted
- Black
- Black Slanted
Four axis to design everything
Four axis to design everything
Four axis to design everything
Four axis to design everything
Recorder Basic Variable:n4
Recorder Capsule Variable:n9
Recorder Mixed Variable:n9
Recorder Outline Variable:n9
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“Are you ready?” asked the smith.
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When Mimer reached the top of the hill, Amilias folded his huge arms, and smiled again; for he felt that this contest was mere play for him, and that Mimer was already as good as beaten, and his thrall. The smith paused a moment to take breath, and as he stood by the side of his foe he looked to those below like a mere black speck close beside a steel-gray castle-tower.
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When every thing was in readiness for the contest, Amilias, clad in his boasted war-coat, went up to the top of the hill, and sat upon a great rock, and waited for Mimer’s coming. As he sat there, he looked, to the people below, like some great castle-tower; for he was almost a giant in size, and his coat of mail, so skilfully wrought, was so huge that twenty men of common mould might have found shelter, or hidden themselves, within it. As the smith Mimer, so dwarfish in stature, toiled up the steep hillside, Amilias smiled to see him; for he felt no fear of the slender, gleaming blade that was to try the metal of his war-coat. And already a shout of expectant triumph went up from the throats of the Burgundian hosts, so sure were they of their champion’s success.
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“Are you ready?” asked the smith.
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“How do you feel now?” asked Mimer in a half-mocking tone.
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“Ready,” answered Amilias. “Strike!”
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Oftentimes, when the day’s work was done, Siegfried sat with Mimer by the glowing light of the furnace-fire, and listened to the sweet tales which the master told of the deeds of the early days, when the world was young, and the dwarf-folk and the giants had a name and a place upon earth. And one night, as they thus sat, the master talked of Odin the All-Father, and of the gods who dwell with him in Asgard, and of the puny men-folk whom they protect and befriend, until his words grew full of bitterness, and his soul of a fierce longing for something he dared not name. And the lad’s heart was stirred with a strange uneasiness, and he said,—
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“How do you feel now?” asked Mimer in a half-mocking tone.
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“Are you ready?” asked the smith.
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And he nursed this thought, and brooded over the hatred which he felt towards the blameless boy; but he did not dare to harm him, for fear of their master, Mimer. And Siegfried busied himself at his forge, where the sparks flew as briskly and as merrily as ever before, and his bellows roared from early morning till late at evening. Nor did the foreman’s unkindness trouble him for a moment, for he knew that the master’s heart was warm towards him.
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Then the smith seemed pleased again. And his eyes grew brighter, and lost their far-away look; and a smile played among the wrinkles of his swarthy face, as he told a tale of old King Volsung and of the deeds of the Volsung kings:—
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“Tell me, I pray, dear master, something about my own kin, my father’s fathers,—those mighty kings, who, I have heard said, were the bravest and best of men.”
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“Long years ago, before the evil days had dawned, King Volsung ruled over all the land which lies between the sea and the country of the Goths. The days were golden; and the good Frey dropped peace and plenty everywhere, and men went in and out and feared no wrong. King Volsung had a dwelling in the midst of fertile fields and fruitful gardens. Fairer than any dream was that dwelling. The roof was thatched with gold, and red turrets and towers rose above. The great feast-hall was long and high, and its walls were hung with sun-bright shields; and the door-nails were of silver. In the middle of the hall stood the pride of the Volsungs,—a tree whose blossoms filled the air with fragrance, and whose green branches, thrusting themselves through the ceiling, covered the roof with fair foliage. It was Odin’s tree, and King Volsung had planted it there with his own hands.
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The master, Mimer, sheathed his sword, and walked slowly down the hillside to the plain, where his friends welcomed him with glad cheers and shouts of joy. But the Burgundians, baffled, and feeling vexed, turned silently homeward, nor cast a single look back to the scene of their disappointment and their ill-fated champion’s defeat.
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And he nursed this thought, and brooded over the hatred which he felt towards the blameless boy; but he did not dare to harm him, for fear of their master, Mimer. And Siegfried busied himself at his forge, where the sparks flew as briskly and as merrily as ever before, and his bellows roared from early morning till late at evening. Nor did the foreman’s unkindness trouble him for a moment, for he knew that the master’s heart was warm towards him.
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But after a while it was whispered around that not Mimer, but one of his pupils, had forged the sword. And, when the master was asked what truth there was in this story, his eyes twinkled, and the corners of his mouth twitched strangely, and he made no answer. But Veliant, the foreman of the smithy, and the greatest of boasters said, “It was I who forged the fire-edge of the blade Balmung.” And, although none denied the truth of what he said, but few who knew what sort of a man he was believed his story. And this is the reason, my children, that, in the ancient songs and stories which tell of this wondrous sword, it is said by most that Mimer, and by a few that Veliant, forged its blade. But I prefer to believe that it was made by Siegfried, the hero who afterwards wielded it in so many adventures. [EN#3] Be this as it may, however, blind hate and jealousy were from this time uppermost in the coarse and selfish mind of Veliant; and he sought how he might drive the lad away from the smithy in disgrace. “This boy has done what no one else could do,” said he. “He may yet do greater deeds, and set himself up as the master smith of the world, and then we shall all have to humble ourselves before him as his underlings and thralls.”
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“Long years ago, before the evil days had dawned, King Volsung ruled over all the land which lies between the sea and the country of the Goths. The days were golden; and the good Frey dropped peace and plenty everywhere, and men went in and out and feared no wrong. King Volsung had a dwelling in the midst of fertile fields and fruitful gardens. Fairer than any dream was that dwelling. The roof was thatched with gold, and red turrets and towers rose above. The great feast-hall was long and high, and its walls were hung with sun-bright shields; and the door-nails were of silver. In the middle of the hall stood the pride of the Volsungs,—a tree whose blossoms filled the air with fragrance, and whose green branches, thrusting themselves through the ceiling, covered the roof with fair foliage. It was Odin’s tree, and King Volsung had planted it there with his own hands.
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“How do you feel now?” asked Mimer in a half-mocking tone.
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“How do you feel now?” asked Mimer in a half-mocking tone.
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But after a while it was whispered around that not Mimer, but one of his pupils, had forged the sword. And, when the master was asked what truth there was in this story, his eyes twinkled, and the corners of his mouth twitched strangely, and he made no answer. But Veliant, the foreman of the smithy, and the greatest of boasters said, “It was I who forged the fire-edge of the blade Balmung.” And, although none denied the truth of what he said, but few who knew what sort of a man he was believed his story. And this is the reason, my children, that, in the ancient songs and stories which tell of this wondrous sword, it is said by most that Mimer, and by a few that Veliant, forged its blade. But I prefer to believe that it was made by Siegfried, the hero who afterwards wielded it in so many adventures. [EN#3] Be this as it may, however, blind hate and jealousy were from this time uppermost in the coarse and selfish mind of Veliant; and he sought how he might drive the lad away from the smithy in disgrace. “This boy has done what no one else could do,” said he. “He may yet do greater deeds, and set himself up as the master smith of the world, and then we shall all have to humble ourselves before him as his underlings and thralls.”
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Mimer raised the beaming blade in the air, and for a moment the lightning seemed to play around his head. The muscles on his short, brawny arms, stood out like great ropes; and then Balmung, descending, cleft the air from right to left. The waiting lookers-on in the plain below thought to hear the noise of clashing steel; but they listened in vain, for no sound came to their ears, save a sharp hiss like that which red-hot iron gives when plunged into a tank of cold water. The huge Amilias sat unmoved, with his arms still folded upon his breast; but the smile had faded from his face.
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But Mimer’s friends waited in breathless silence, hoping, and yet fearing. Only King Siegmund whispered to his queen, and said, “Knowledge is stronger than brute force. The smallest dwarf who has drunk from the well of the Knowing One may safely meet the stoutest giant in battle.”
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“Rather strangely, as if cold iron had touched me,” faintly answered the upstart.
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“Long years ago, before the evil days had dawned, King Volsung ruled over all the land which lies between the sea and the country of the Goths. The days were golden; and the good Frey dropped peace and plenty everywhere, and men went in and out and feared no wrong. King Volsung had a dwelling in the midst of fertile fields and fruitful gardens. Fairer than any dream was that dwelling. The roof was thatched with gold, and red turrets and towers rose above. The great feast-hall was long and high, and its walls were hung with sun-bright shields; and the door-nails were of silver. In the middle of the hall stood the pride of the Volsungs,—a tree whose blossoms filled the air with fragrance, and whose green branches, thrusting themselves through the ceiling, covered the roof with fair foliage. It was Odin’s tree, and King Volsung had planted it there with his own hands.
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“Rather strangely, as if cold iron had touched me,” faintly answered the upstart.
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But Mimer’s friends waited in breathless silence, hoping, and yet fearing. Only King Siegmund whispered to his queen, and said, “Knowledge is stronger than brute force. The smallest dwarf who has drunk from the well of the Knowing One may safely meet the stoutest giant in battle.”
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“Are you ready?” asked the smith.
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