Holise
Details
Holise is a versatile typeface that masterfully blends modern and vintage aesthetics. Its condensed form is adorned with distinctive, spicy details on the serifs, giving it a unique and captivating character. This elegant font exudes sophistication, making it a perfect choice for adding flair and distinction to your titles and large-scale text. Whether you're aiming for a contemporary look or a classic feel, Holise brings originality and charm to any design, ensuring your work stands out with a touch of refinement.
- Designed by
- Ines Davodeau
- Released in
- 2024
- Export
- .OTF .WOFF .WOFF2 .TTF (Variable)
- Developed for
- Latin European Languages
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Sicilian, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolof, Xhosa, Zulu
Holise Variable
- Thin
- Thin Italic
- ExtraLight
- ExtraLight Italic
- Light
- Light Italic
- Regular
- Regular Italic
- Medium
- Medium Italic
- Bold
- Bold Italic
- ExtraBold
- ExtraBold Italic
- Black
- Black Italic
Modern & Vintage Aesthetics
Modern & Vintage Aesthetics
Modern & Vintage Aesthetics
Modern & Vintage Aesthetics
Holise Variable:n1
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When Mimer reached the top of the hill, Amilias folded his huge arms, and smiled again; for he felt that this contest was mere play for him, and that Mimer was already as good as beaten, and his thrall. The smith paused a moment to take breath, and as he stood by the side of his foe he looked to those below like a mere black speck close beside a steel-gray castle-tower.
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The master, Mimer, sheathed his sword, and walked slowly down the hillside to the plain, where his friends welcomed him with glad cheers and shouts of joy. But the Burgundians, baffled, and feeling vexed, turned silently homeward, nor cast a single look back to the scene of their disappointment and their ill-fated champion’s defeat.
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Then the smith seemed pleased again. And his eyes grew brighter, and lost their far-away look; and a smile played among the wrinkles of his swarthy face, as he told a tale of old King Volsung and of the deeds of the Volsung kings:—
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And Siegfried went again with the master and his fellows to the smoky smithy, to his roaring bellows and ringing anvil, and to his coarse fare, and rude, hard bed, and to a life of labor. And while all men praised Mimer and his knowing skill, and the fiery edge of the sunbeam blade, no one knew that it was the boy Siegfried who had wrought that piece of workmanship.
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“Shake thyself!” cried Mimer.
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Then the smith seemed pleased again. And his eyes grew brighter, and lost their far-away look; and a smile played among the wrinkles of his swarthy face, as he told a tale of old King Volsung and of the deeds of the Volsung kings:—
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Amilias did so, and, lo! he fell in two halves; for the sword had cut sheer through the vaunted war-coat, and cleft in twain the great body incased within. Down tumbled the giant head and the still folded arms, and they rolled with thundering noise to the foot of the hill, and fell with a fearful splash into the deep waters of the river; and there, fathoms down, they may even now be seen, when the water is clear, lying like great gray rocks among the sand and gravel below. The rest of the body, with the armor which incased it, still sat upright in its place; and to this day travellers sailing down the river are shown on moonlit evenings the luckless armor of Amilias on the high hill-top. In the dim, uncertain light, one easily fancies it to be the ivy covered ruins of some old castle of feudal times.
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Amilias did so, and, lo! he fell in two halves; for the sword had cut sheer through the vaunted war-coat, and cleft in twain the great body incased within. Down tumbled the giant head and the still folded arms, and they rolled with thundering noise to the foot of the hill, and fell with a fearful splash into the deep waters of the river; and there, fathoms down, they may even now be seen, when the water is clear, lying like great gray rocks among the sand and gravel below. The rest of the body, with the armor which incased it, still sat upright in its place; and to this day travellers sailing down the river are shown on moonlit evenings the luckless armor of Amilias on the high hill-top. In the dim, uncertain light, one easily fancies it to be the ivy covered ruins of some old castle of feudal times.
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The master, Mimer, sheathed his sword, and walked slowly down the hillside to the plain, where his friends welcomed him with glad cheers and shouts of joy. But the Burgundians, baffled, and feeling vexed, turned silently homeward, nor cast a single look back to the scene of their disappointment and their ill-fated champion’s defeat.
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Oftentimes, when the day’s work was done, Siegfried sat with Mimer by the glowing light of the furnace-fire, and listened to the sweet tales which the master told of the deeds of the early days, when the world was young, and the dwarf-folk and the giants had a name and a place upon earth. And one night, as they thus sat, the master talked of Odin the All-Father, and of the gods who dwell with him in Asgard, and of the puny men-folk whom they protect and befriend, until his words grew full of bitterness, and his soul of a fierce longing for something he dared not name. And the lad’s heart was stirred with a strange uneasiness, and he said,—
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“How do you feel now?” asked Mimer in a half-mocking tone.
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But after a while it was whispered around that not Mimer, but one of his pupils, had forged the sword. And, when the master was asked what truth there was in this story, his eyes twinkled, and the corners of his mouth twitched strangely, and he made no answer. But Veliant, the foreman of the smithy, and the greatest of boasters said, “It was I who forged the fire-edge of the blade Balmung.” And, although none denied the truth of what he said, but few who knew what sort of a man he was believed his story. And this is the reason, my children, that, in the ancient songs and stories which tell of this wondrous sword, it is said by most that Mimer, and by a few that Veliant, forged its blade. But I prefer to believe that it was made by Siegfried, the hero who afterwards wielded it in so many adventures. [EN#3] Be this as it may, however, blind hate and jealousy were from this time uppermost in the coarse and selfish mind of Veliant; and he sought how he might drive the lad away from the smithy in disgrace. “This boy has done what no one else could do,” said he. “He may yet do greater deeds, and set himself up as the master smith of the world, and then we shall all have to humble ourselves before him as his underlings and thralls.”
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But after a while it was whispered around that not Mimer, but one of his pupils, had forged the sword. And, when the master was asked what truth there was in this story, his eyes twinkled, and the corners of his mouth twitched strangely, and he made no answer. But Veliant, the foreman of the smithy, and the greatest of boasters said, “It was I who forged the fire-edge of the blade Balmung.” And, although none denied the truth of what he said, but few who knew what sort of a man he was believed his story. And this is the reason, my children, that, in the ancient songs and stories which tell of this wondrous sword, it is said by most that Mimer, and by a few that Veliant, forged its blade. But I prefer to believe that it was made by Siegfried, the hero who afterwards wielded it in so many adventures. [EN#3] Be this as it may, however, blind hate and jealousy were from this time uppermost in the coarse and selfish mind of Veliant; and he sought how he might drive the lad away from the smithy in disgrace. “This boy has done what no one else could do,” said he. “He may yet do greater deeds, and set himself up as the master smith of the world, and then we shall all have to humble ourselves before him as his underlings and thralls.”
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But Mimer’s friends waited in breathless silence, hoping, and yet fearing. Only King Siegmund whispered to his queen, and said, “Knowledge is stronger than brute force. The smallest dwarf who has drunk from the well of the Knowing One may safely meet the stoutest giant in battle.”
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Then the smith seemed pleased again. And his eyes grew brighter, and lost their far-away look; and a smile played among the wrinkles of his swarthy face, as he told a tale of old King Volsung and of the deeds of the Volsung kings:—
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“Long years ago, before the evil days had dawned, King Volsung ruled over all the land which lies between the sea and the country of the Goths. The days were golden; and the good Frey dropped peace and plenty everywhere, and men went in and out and feared no wrong. King Volsung had a dwelling in the midst of fertile fields and fruitful gardens. Fairer than any dream was that dwelling. The roof was thatched with gold, and red turrets and towers rose above. The great feast-hall was long and high, and its walls were hung with sun-bright shields; and the door-nails were of silver. In the middle of the hall stood the pride of the Volsungs,—a tree whose blossoms filled the air with fragrance, and whose green branches, thrusting themselves through the ceiling, covered the roof with fair foliage. It was Odin’s tree, and King Volsung had planted it there with his own hands.
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