Eternal Collection

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Eternal Collection is a display font family that is designed for high-impact visual communication, this font family features a striking combination of serif detailing and high contrast proportions. With an extensive range of 162 styles, Eternal Collection offers a broad range of creative possibilities. The family includes variations in width, weight, and slant, allowing for nuanced typographic expression across various design contexts. From bold, commanding headlines to delicate, refined subheadings, this font family ensures that every design element can be tailored to the precise mood and tone you wish to convey. Choose from a full spectrum of widths, from compressed to wide, and a variety of weights, from thin to black. The inclusion of slant styles adds an extra dimension of flexibility for dynamic, forward-leaning typography.

Designed by: Matthieu Salvaggio, Malo Haffreingue

Released in: 2024

Export: .OTF .WOFF .WOFF2 .TTF (Variable)

Developed for: Latin European Languages

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Sicilian, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolof, Xhosa, Zulu

160 Styles

Eternal Collection Compressed

Compressed Thin
Compressed Thin Italic
Compressed ExtraLight
Compressed ExtraLight Italic
Compressed Light
Compressed Light Italic
Compressed Regular
Compressed Regular Italic
Compressed Medium
Compressed Medium Italic
Compressed SemiBold
Compressed SemiBold Italic
Compressed Bold
Compressed Bold Italic
Compressed ExtraBold
Compressed ExtraBold Italic
Compressed Black
Compressed Black Italic

Eternal Collection ExtraCondensed

ExtraCondensed Thin
ExtraCondensed Thin Italic
ExtraCondensed ExtraLight
ExtraCondensed ExtraLight Italic
ExtraCondensed Light
ExtraCondensed Light Italic
ExtraCondensed Regular
ExtraCondensed Regular Italic
ExtraCondensed Medium
ExtraCondensed Medium Italic
ExtraCondensed SemiBold
ExtraCondensed SemiBold Italic
ExtraCondensed Bold
ExtraCondensed Bold Italic
ExtraCondensed ExtraBold
ExtraCondensed ExtraBold Italic
ExtraCondensed Black

Eternal Collection Condensed

Condensed Thin
Condensed Thin Italic
Condensed ExtraLight
Condensed ExtraLight Italic
Condensed Light
Condensed Light Italic
Condensed Regular
Condensed Medium
Condensed Medium Italic
Condensed SemiBold
Condensed SemiBold Italic
Condensed Bold
Condensed Bold Italic
Condensed ExtraBold
Condensed ExtraBold Italic
Condensed Black
Condensed Black Italic

Eternal Collection SemiCondensed

SemiCondensed Thin
SemiCondensed Thin Italic
SemiCondensed ExtraLight
SemiCondensed ExtraLight Italic
SemiCondensed Light
SemiCondensed Light Italic
SemiCondensed Regular
SemiCondensed Regular Italic
SemiCondensed Medium
SemiCondensed Medium Italic
SemiCondensed SemiBold
SemiCondensed SemiBold Italic
SemiCondensed Bold
SemiCondensed Bold Italic
SemiCondensed ExtraBold
SemiCondensed ExtraBold Italic
SemiCondensed Black
SemiCondensed Black Italic

Eternal Collection Normal

Normal Thin
Normal Thin Italic
Normal ExtraLight
Normal ExtraLight Italic
Normal Light
Normal Light Italic
Normal Regular
Normal Regular Italic
Normal Medium
Normal Medium Italic
Normal SemiBold
Normal SemiBold Italic
Normal Bold
Normal Bold Italic
Normal ExtraBold
Normal ExtraBold Italic
Normal Black
Normal Black Italic

Eternal Collection Semi Large

Semi Large Thin
Semi Large Thin Italic
Semi Large ExtraLight
Semi Large ExtraLight Italic
Semi Large Light
Semi Large Light Italic
Semi Large Regular
Semi Large Regular Italic
Semi Large Medium
Semi Large Medium Italic
Semi Large SemiBold
Semi Large SemiBold Italic
Semi Large
Semi Large Italic
Semi Large ExtraBold
Semi Large ExtraBold Italic
Semi Large Black
Semi Large Black Italic

Eternal Collection Large

Large Thin
Large Thin Italic
Large ExtraLight
Large ExtraLight Italic
Large Light
Large Light Italic
Large Regular
Large Regular Italic
Large Medium
Large Medium Italic
Large SemiBold
Large SemiBold Italic
Large Bold
Large Bold Italic
Large ExtraBold
Large ExtraBold Italic
Large Black
Large Black Italic

Eternal Collection Expanded

Expanded Thin
Expanded Thin Italic
Expanded ExtraLight
Expanded ExtraLight Italic
Expanded Light
Expanded Light Italic
Expanded Regular
Expanded Regular Italic
Expanded Medium
Expanded Medium Italic
Expanded SemiBold
Expanded SemiBold Italic
Expanded Bold
Expanded Bold Italic
Expanded ExtraBold
Expanded ExtraBold Italic
Expanded Black
Expanded Black Italic

Eternal Collection Wide

Wide Thin
Wide Thin Italic
Wide ExtraLight
Wide ExtraLight Italic
Wide Light
Wide Light Italic
Wide Regular
Wide Regular Italic
Wide Medium
Wide Medium Italic
Wide SemiBold
Wide SemiBold Italic
Wide Bold Italic
Wide ExtraBold
Wide ExtraBold Italic
Wide Black
Wide Bold
Wide Black Italic

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Infinite Possibilities, Timeless Impact.

Font sampler

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“Ready,” answered Amilias. “Strike!”

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“Are you ready?” asked the smith.

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Oftentimes, when the day’s work was done, Siegfried sat with Mimer by the glowing light of the furnace-fire, and listened to the sweet tales which the master told of the deeds of the early days, when the world was young, and the dwarf-folk and the giants had a name and a place upon earth. And one night, as they thus sat, the master talked of Odin the All-Father, and of the gods who dwell with him in Asgard, and of the puny men-folk whom they protect and befriend, until his words grew full of bitterness, and his soul of a fierce longing for something he dared not name. And the lad’s heart was stirred with a strange uneasiness, and he said,—

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When Mimer reached the top of the hill, Amilias folded his huge arms, and smiled again; for he felt that this contest was mere play for him, and that Mimer was already as good as beaten, and his thrall. The smith paused a moment to take breath, and as he stood by the side of his foe he looked to those below like a mere black speck close beside a steel-gray castle-tower.

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But after a while it was whispered around that not Mimer, but one of his pupils, had forged the sword. And, when the master was asked what truth there was in this story, his eyes twinkled, and the corners of his mouth twitched strangely, and he made no answer. But Veliant, the foreman of the smithy, and the greatest of boasters said, “It was I who forged the fire-edge of the blade Balmung.” And, although none denied the truth of what he said, but few who knew what sort of a man he was believed his story. And this is the reason, my children, that, in the ancient songs and stories which tell of this wondrous sword, it is said by most that Mimer, and by a few that Veliant, forged its blade. But I prefer to believe that it was made by Siegfried, the hero who afterwards wielded it in so many adventures. [EN#3] Be this as it may, however, blind hate and jealousy were from this time uppermost in the coarse and selfish mind of Veliant; and he sought how he might drive the lad away from the smithy in disgrace. “This boy has done what no one else could do,” said he. “He may yet do greater deeds, and set himself up as the master smith of the world, and then we shall all have to humble ourselves before him as his underlings and thralls.”

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“Tell me, I pray, dear master, something about my own kin, my father’s fathers,—those mighty kings, who, I have heard said, were the bravest and best of men.”

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“Shake thyself!” cried Mimer.

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“Are you ready?” asked the smith.

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“How do you feel now?” asked Mimer in a half-mocking tone.

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