Он держал вдеснице Своейсемь звезд, и из уст Его выходил острый с обеих сторон меч; и лице Его, как солнце, сияющее в силе своей.
Font
Apoc кириллица
Styles
Apoc Revelations кириллица
Apoc Revelations Italic кириллица
Apoc Light Sans кириллица
Apoc Light Sans Italic кириллицаApoc Hairline кириллица
Apoc Hairline Italic кириллица
Apoc Light кириллица
Apoc Light Italic кириллица
Apoc Regular кириллица
Apoc Regular Italic кириллица
Apoc Bold кириллица
Apoc Bold Italic кириллица
Apoc Ultra Bold кириллица
Apoc Ultra Bold Italic кириллица
Apoc Dark кириллица
Apoc Dark Italic кириллица
Font sampler
Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!
Abandon all Hope, ye who enter here!Abandon all Hope, ye who enter here!
Font info
Apoc, the battle between Light and Dark.
“As I stood upon the sand of the sea…”
Apoc is a typeface family revolving around 16 fonts + Variable:
The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).
Filling the design process with the corkiness only handwriting can bring and test proofing the fonts for what was, originally, a tool meant for a display usage we were intrigued by the optical gray obtained when it was used on plain text. Apoc strangely brings up the page’s lightness forward and we could not be more happy with the result. Enlightening layouts, letting the light come through. Apoc Revelations is thin and sharp with aggressive serifs, almost as if they were cut by a knife. It does wonders when displayed in headlines and brings the lightness of your layouts up when used in plain text in smaller sizes. Though we would recommend you to use the Light version for that as the serifs have been designed in a more squared/angled way, which will keep some stability in this experimentally shaped font. The Dark version has been balanced with an extended x-height and squared serifs, Egyptian like with a twist, to match with the Light version. A balance between light and dark within layouts. Alternates and ligatures are floating around this sharp tool allowing more experimentation with both headlines and text layouts. This font-family will work greatly with covers and text layouts, whether they be books, magazines, music albums or plain visually appealing headlines on websites. It will do marvels if you want to balance your layout’s optical gray and play with the light and dark side of your work.
32 fonts available
Available in .OTF .EOT .WOFF .WOFF2
Developed for Latin European Languages
Details
Designed by Matthieu Salvaggio, Ilya Ruderman, Yury Ostromentsky
Released in 2018, Cyrillic Update in 2020
Available in 32 weights
Available in .OTF, .EOT, .WOFF, .WOFF2
Variable Version available
Developed for Latin European Languages + Cyrillic
-
Character Set
Uppercase
Æ A B C D E F G H I J K L M N O Œ P Q R S T U V W X Y Z
Uppercase Style 1
Б В Р С У Ў Ь Ъ Ы Љ Њ Ѕ Є Э Ј Я Ӯ K
Uppercase Style 2
Б B P Ь Ъ Ы Љ Њ Я
Uppercase Accented Glyphs
À Á Â Ã Ä Å Ā Ă Ą Ç Ć Ċ Č Ď È É Ê Ë Ē Ė Ę Ě Ğ
Ġ Ģ Ì Í Î Ï Ī Į İ Ķ Ĺ Ļ Ľ Ł Ñ Ń Ņ Ň Ò Ó Ô Õ Ö Ō Ő Ŕ
Ŗ Ř Ś Ş Š Ș Ţ Ť Ù Ú Û Ü Ū Ů Ű Ų Ŵ Ẁ Ẃ Ẅ Ý Ŷ
Ÿ Ỳ Ź Ż Ž
Æ Ð Ø Þ Đ Ħ Ŋ Œ Ŧ Ə А Б В Г Д Е Ё Ж З И Й К Л М Н О П Р С Т У Ф
Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я Ђ Ѓ Г Є Ѕ І Ї Ј Љ Њ Ћ
Ќ Ў Џ Ґ Ѐ Ғ Җ Қ Ң Ү Ұ Ҳ Ҷ Һ Ӏ Ә Ӣ Ѝ Ө Ӯ
Uppercase Cyrillic
АБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯЂЃГЄЅІЇЈЉЊЋЌЎЏҐЀҒҖҚҢҮҰҲҶҺӀӘӢЍӨӮ
Lowercase
a æ b c e f g h i j k l m n r s v w x y
б в г д ж з и й к л н п т ц ч ш щ ъ ь ю
Lowercase Cyrillic
абвгдеёжзийклмнопрстуфхцчшщъыьэюяђѓєѕіїјљњћќўџґѐғҗқңүұҳҷһӏәӣѝөӯ
Lowercase Bulgarian/Serbian
бвгджзийклнптцчшщъью
Lowercase Style 1
а е ѐ ё с ў ѕ є ј ђ ә ӯ g y з
Lowercase Style 2
e f g r y
Lowercase Accented Glyphs
à á â ã ä å ā ă ą ç ć ċ č ď è é ê ë ē ė ę ě ğ ġ ģ ì í î ï ī į i ķ ĺ
ļ ľ ł ñ ń ņ ň ò ó ô õ ö ō ő ŕ ŗ ř ś ş š ș ţ ť ù ú û ü ū ů ű ų ŵ
ẁ ẃ ẅ ý ŷ ÿ ỳ ź ż ž æ ð ø þ đ ħ ŋ œ ŧ ə ƒ
Ligatures
fi fl fh fk ffi ffl ff ffh ffk st fh fk fi fl ffi ffl ffh ffk
Figures
0 1 2 3 4 5 6 7 8 9
Punctuation
! ¡ ? ¿ . … , : ; · • « » ‹ ›’ ” ‘ ’ “ ”‚ „| – – — _ \ / ⁄ ( ) [ ] { }
*#¶@&†‡°©®TM%‰No
Mathematical Signs
+ < = > | ~ ¬ ± × ÷ ⁄ ∂ ∅ ∏ ∑ − √ ∞ ∫ ≈ ≠ ≤ ≥ € £ $ ¢ ¥ ₴ ₸ ₽
-
Font in use
-
.
-
.
-
.
-
.
-
.
-
.
-
.
-
.
-
Watching Paint Dry — Arvid Boecker by KontextKommunikation
-
Watching Paint Dry — Arvid Boecker by KontextKommunikation
-
Leman Lyriques Festival by berhummer & Ndebele
-
Watching Paint Dry — Arvid Boecker by KontextKommunikation
-
K1M3R4 – Issue 01- Empathy Dystopias designed by Michael Clasen
-
K1M3R4 – Issue 01- Empathy Dystopias designed by Michael Clasen
-
K1M3R4 – Issue 01- Empathy Dystopias designed by Michael Clasen
-
ESAD Open doors posters: Julian Lagoutte, Solène Lautridou & Sebastian Schmitt
-
.
-
.
-
.
-
.
-
.
-
.
-
.
-
.
-
-
Purchase font
Single Typeface
Double Packages
Apoc LC Revelations + Italic60€
Apoc LC Light Sans + Italic60€
Family Packages