I am the Alpha and the Omega, the First and the Last, the Beginning and the End.

  • Font

    Apoc Revelations

  • Styles

    • Apoc Revelations
      Apoc Revelations Italic
      Apoc Light Sans
      Apoc Light Sans Italic

       

    • Apoc Hairline
      Apoc Hairline Italic
      Apoc Light
      Apoc Light Italic
      Apoc Regular
      Apoc Regular Italic


    • Apoc Bold
      Apoc Bold Italic
      Apoc Ultra Bold
      Apoc Ultra Bold Italic
      Apoc Dark
      Apoc Dark Italic

  • Font sampler

    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.

    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
    I am the Alpha and the Omega, the First and the Last, the Beginning and the End.

  • Font info

    Apoc, the battle between Light and Dark.
    “As I stood upon the sand of the sea…”

    Apoc is a typeface family revolving around 16 fonts + Variable:

    The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only). 
    Filling the design process with the corkiness only handwriting can bring and test proofing the fonts for what was, originally, a tool meant for a display usage we were intrigued by the optical gray obtained when it was used on plain text. Apoc strangely brings up the page’s lightness forward and we could not be more happy with the result. Enlightening layouts, letting the light come through. Apoc Revelations is thin and sharp with aggressive serifs, almost as if they were cut by a knife. It does wonders when displayed in headlines and brings the lightness of your layouts up when used in plain text in smaller sizes. Though we would recommend you to use the Light version for that as the serifs have been designed in a more squared/angled way, which will keep some stability in this experimentally shaped font. The Dark version has been balanced with an extended x-height and squared serifs, Egyptian like with a twist, to match with the Light version. A balance between light and dark within layouts. Alternates and ligatures are floating around this sharp tool allowing more experimentation with both headlines and text layouts. This font-family will work greatly with covers and text layouts, whether they be books, magazines, music albums or plain visually appealing headlines on websites. It will do marvels if you want to balance your layout’s optical gray and play with the light and dark side of your work.

    16 fonts available 
    Available in .OTF .EOT .WOFF .WOFF2
    Developed for Latin European Languages
  • Details

    Designed by Matthieu Salvaggio
    Released in 2018
    Available in 16 weights
    Available in .OTF, .EOT, .WOFF, .WOFF2
    Variable Version available
    Developed for Latin European Languages
  • Character Set

    • Uppercase

    • Æ A B C D E F G H I J K L M N O Œ P Q R S T U V W X Y Z

    • Uppercase Style 1

    • B C D G J K P Q R S Y Z

    • Uppercase Style 2

    • B P R

    • Uppercase Accented Glyphs

    • À Ă Ã Ā Ä Ą Á Â Å Æ Ċ Ç Ć Č Ď Ð È Ē Ė Ë Ę É Ê Ě Ğ Ġ Ģ Ħ Ì Ī İ Ï Į Í Î I Ì Ī İ Ï Į Í Î Ķ Ļ Ĺ Ľ Ł Ñ Ņ Ń Ň Ŋ Ò Õ Ō Ö Ő Ó Ø Ô Œ Ŗ Ŕ Ř Ş Ș Ś Š Ţ Ť Ŧ Ù Ū Ü Ų Ű Ú Û Ů Ẁ Ẅ Ẃ Ŵ Ỳ Ÿ Ý Ŷ Ż Ź Ž

    • Lowercase

    • a b c d e f g h i j k l m n o p q r s t u v w x y z

    • Lowercase Style 1

    • a æ b c e f g h i j k l m n r s v w x y

    • Lowercase Style 2

    • e f g r y

    • Lowercase Accented Glyphs

    • à ă ã ā ä ą á â å æ ċ ç ć č ď ð è ē ė ë ę é ê ě s ğ ġ ģ ħ ì ī ı i ï į í î i j ķ ļ ĺ ľ ł ñ ņ ń ň ŋ ò õ ō ö ő ó ø ô œ ŗ ŕ ř ş ș ś š ţ ť ŧ ù ū ü ų ű ú û ů ẁ ẅ ẃ ŵ ỳ ÿ ý ŷ ż ź ž

    • Ligatures

    • fi fl fh fk ffi ffl ff ffh ffk st fh fk fi fl ffi ffl ffh ffk

    • Figures

    • 0 1 2 3 4 5 6 7 8 9

    • Old Style Figures

    • 0 1 2 3 4 5 6 7 8 9

    • Punctuation

    • ! ¡ ? ¿ « » ‹ › . , : ; ‘ ’ ‚ “ ” „ … | ¦ – – — _ \ / ( ) [ ] { } · • * # % ‰ © ® ™ ¶ @ & † ‡ l °

    • Mathematical Signs

    • + < = > | ~ ¬ ± × ÷ ⁄ ∂ ∅ ∏ ∑ − √ ∞ ∫ ≈ ≠ ≤ ≥ € £ $ ¢ ¥

    • Fractions

    • ¼ ½ ¾ ⅛ ⅜ ⅝ ⅞

    • Arrows

    • ← ↑ → ↓ ↔

  • Font in use

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    • Leman Lyriques Festival by berhummer & Ndebele

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    • Watching Paint Dry — Arvid Boecker by KontextKommunikation

    • Watching Paint Dry — Arvid Boecker by KontextKommunikation

    • Leman Lyriques Festival by berhummer & Ndebele

      Leman Lyriques Festival by berhummer & Ndebele

    • Watching Paint Dry — Arvid Boecker by KontextKommunikation

    • K1M3R4 – Issue 01- Empathy Dystopias designed by Michael Clasen

    • K1M3R4 – Issue 01- Empathy Dystopias designed by Michael Clasen

    • K1M3R4 – Issue 01- Empathy Dystopias designed by Michael Clasen

    • ESAD Open doors posters: Julian Lagoutte, Solène Lautridou & Sebastian Schmitt

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    • Leman Lyriques Festival by berhummer & Ndebele

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